Friday, October 26, 2012

Dear Lord and Father of Mankind

Praise for the Lord #122

Words: John Greenleaf Whittier, 1872
Music: Frederick C. Maker, 1887 (REST)

John Greenleaf Whittier (1807-1892) grew up in a Quaker farming family in Massachusetts, and was always strongly grounded in the quiet rural ways of pre-industrial New England. But the image of Whittier as the white-headed old country gentleman, writing folksy ballads, belies his youthful editorial and political work as a militant Abolitionist. His writing was discovered in 1826 by William Lloyd Garrison (1805-1879), who promoted Whittier's early career as an editor and pamphleteer. Whittier even served in the Massachusetts legislature in 1835, where his political views brought considerable attention--he narrowly escaped mob violence after a speech in Concord!

The young Quaker's personal foray into politics was cut short by a breakdown in health from overwork, forcing him to retire to the family farm for a time. By the 1850s, however, most New Englanders had come around toward his views on slavery, and as an early advocate of Abolition by peaceful, legislative means, Whittier was held in high regard. Along with literary titans such as Emerson and Longfellow, he was part of the founding generation of writers for The Atlantic Monthly in 1857.(Cluff)

Though Whittier's lengthy poem "Snow-Bound" is generally considered his literary masterwork, it is through hymn adaptations that he is most widely known today. Ironically, he was somewhat bewildered at the success of these repurposed verses:
I am really not a hymn-writer, for the good reason that I know nothing of music. Only a very few of my pieces were written for singing. A good hymn is the best use to which poetry can be devoted, but I do not claim that I have succeeded in composing one.(quoted in Julian, 1278)
His peers, and following generations, have begged to differ. Julian lists 33 hymns that were in common use by the end of the 19th century, and at least two--"Dear Lord and Father of Mankind" and "Immortal Love forever full" (PFTL #326) are still found in many hymnals today.(Julian, 1278) Most of these were excerpted from longer works; "Dear Lord and Father of mankind" is the final six stanzas of the 17-stanza poem titled "The Brewing of Soma," published in The Atlantic Monthly volume 29, issue 174 (April 1872), pages 473-475.

The first six stanzas of "The Brewing of Soma" are a reimagining of the ancient Vedic Indian practice of imbibing soma, a drink that was probably not actually an alcoholic brew but rather the clarified essence of a psychedelic mushroom. In some Vedic rituals, soma was offered to the gods, who were believed to be empowered by its effects; the priests and people also partook and received ecstatic visions.(Mahony)

This seems a long way from the hymn text we know! But in the next five stanzas, the middle portion of the poem, Whittier compares the artificially induced passions created by soma to the misguided attempts of Christians to create a meaningful relationship with God through the use of artificial innovations. He compares these practices to each other--Christian and non-Christian, Western and Eastern--and finds them all to have been mere attempts "to bring the skies more near, / Or lift men up to heaven," by our own efforts.

It is important here to understand traditional Quaker worship as Whittier knew it. In the "unprogrammed worship" or "waiting worship" still practiced by conservative Quakers, congregants gather in silence and simply wait for the Holy Spirit to move someone to speak. This may be a prayer, a Scripture reading, a song, or a devotional message; no one knows until it happens. If no one is moved to speak, a service may consist entirely of sitting in silence, "waiting on the Lord."("Friends' Worship") In earlier centuries, this was thdo predominant mode of worship among Quakers, but during the Second Great Awakening of the 19th century, many began to embrace the fervor of the Holiness movement. Whittier complained to a friend that "Quakerism has run into Methodism."(Herman)

To the reserved New England farmer, there was a world of difference between a group of equals waiting quietly for the Spirit to speak, and a crowd being whipped into a frenzy by a professional revivalist. The final stanza of the middle section of "The Brewing of Soma" reads:
And yet the past comes round again,
And new doth old fulfil;
In sensual transports wild as vain
We brew in many a Christian fane
[temple-DRH]
The heathen Soma still!
The author of "Dear Lord and Father of Mankind" was mourning not only the busyness and noise of everyday life, but also the busyness and noise which can all too easily become a substitute for true spiritual worship. I have always found the Quakers interesting, though we disagree on many points. Historically they have been willing to put their beliefs into practice, and to suffer the consequences for going against the mainstream. And though I do not agree with their ideas about the nature and means of the Spirit's leading, I wholeheartedly agree that our worship ought to begin from a relationship with God that listens to His Spirit and responds to Him in the ways that He directs.

Stanza 1:
Dear Lord and Father of mankind,
Forgive our foolish ways!
Reclothe us in our rightful mind,
In purer lives Thy service find,
In deeper reverence, praise.

Scripture has a great deal to say about fools and foolishness, but nowhere, I think, is the subject of foolishness in worship addressed so directly as in this eloquent passage from Ecclesiastes:
Guard your steps when you go to the house of God. To draw near to listen is better than to offer the sacrifice of fools, for they do not know that they are doing evil. Be not rash with your mouth, nor let your heart be hasty to utter a word before God, for God is in heaven and you are on earth. Therefore let your words be few.(Ecclesiastes 5:1-2)
A dear older friend of mine served in the U.S. Army during the Second World War, and vividly recounted the day that King George VI visited the troops where he was stationed in northern Africa. The British soldiers camped next to the Americans lined the road, shouting "God save the King!" and other such cheers as the motorcade passed. My friend's commanding officer thought it would be clever if the Americans did something different, and so when the royal car passed they all shouted on cue, "Yaaaayyyy, George!" According to my eyewitness, the King's facial expression was priceless.

Most of us have a better sense of appropriateness when addressing human dignitaries. Why, then, would anyone suppose that we could approach the King of Kings with any less respect, or concern for appropriate behavior? If I am writing a formal letter to some person in high government office, I will check a dictionary or almanac to be sure of the correct form of address. Why wouldn't I give the same attention to God's word in an effort to learn how I should address Him in worship? Here is Whittier's meaning, I think, in the expression, "foolish ways." Like the unfortunate American officer, people often wish to approach God in some way of their own invention, because it appeals to them more, and are oblivious to the question of what God would have them do.

Often, I believe, this comes from a sincere desire for an intimate experience of the presence of God in their worship. Unfortunately, we humans are too prone to mistaking one feeling for another. We confuse excitement with passion, and exhilaration with devotion. Now, if we feel nothing in our worship, there is obviously something wrong; but on the other hand, just having a warm spiritual feeling does not mean we are one bit closer to God, or any more pleasing to Him. I have seen cold, dead worship (at least it appeared so to me, which an important caution to remember), but I have also seen very enthusiastic worship in which people were whipped into a frenzy of devotion, week after week, yet with little apparent effect on the lifestyles I saw the rest of the time. It is useless to have a cold, dead faith, but it is equally useless to drink the soma of an induced emotional high and believe it is worship.

Of course there are many other things in this world that become soma to the multitudes who are looking for meaning and fulfillment. Sometimes it is actually a literal drug; sometimes it is an abuse of the passions of the flesh, such as food, or sex, or the desire for material things. Sometimes we even use good and noble things, such as love of friends and family, as a soma that gives our lives meaning. But in the end these things are not solving the fundamental need of the human soul, to find its Creator.

So what is Whittier's alternative? He would first have us "reclothed in our rightful minds." The attitude with which we approach worship is just as important as the content of the worship itself. This is much of the message in Eccesiastes 5:1-2, quoted above: remember who God is, and who you are. When Moses heard the voice from the burning bush announce the presence of the Lord, he "hid his face, for he was afraid to look at God."(Exodus 3:6) When Isaiah saw the vision of the Lord in the temple, he cried out, "Woe is me, for I am undone! Because I am a man of unclean lips, and I dwell in the midst of a people of unclean lips; for my eyes have seen the King, The LORD of hosts."

Now, as Christians we know that Jesus came to open a "new and living way" into the presence of God by His blood,(Hebrews 10:20) and that because of this we can "with confidence draw near to the throne of grace, that we may receive mercy and find grace to help in time of need."(Hebrews 4:16) But though we are able to come before Him "with confidence" (KJV "boldly"), that does not mean we are free to come before Him flippantly or carelessly. We must "draw near with a true heart in full assurance of faith,"(Hebrews 10:22), worshiping the Creator "in spirit and in truth."(John 4:23)

Whittier defines his objective a little further in the wish that we would "in purer lives Thy service find." Hebrews 10:22 says in full: "Let us draw near with a true heart in full assurance of faith, with our hearts sprinkled clean from an evil conscience and our bodies washed with pure water." Few of us, if we have a choice, will go to the worship assembly unwashed, with our hair unkempt, and wearing dirty clothes; we ought to take more concern, though, for the state of the inward person! The high priests of the Hebrew dispensation wore a headdress bearing a gold plate engraved with the words, "Holiness to the LORD."(Exodus 28:36) This was an outward symbol of the spiritual reality, and showed the priest's complete dedication to God's service. May God engrave that on our hearts and minds so that we never forget it.

Holiness seems to have at least two sides--purity, and dedication to service. The priests of the Hebrew temple, and even the furnishings of the temple, illustrate both of these. They were to be pure, free from uncleanness. The high priests were not allowed to touch a dead body, even of a near family member.(Leviticus 21:10-11) The priests and the temple were set aside in this way for a reason--they were to serve God in a special way. The entire tribe of Levi, in fact, was for the most part supported by the other tribes, because they were meant to serve God full-time. We need to recognize that we too are called to personal purity, and are set apart for God's service.

The Quaker ethic placed a great emphasis on holiness put into practice in our dealings with fellow humanity. William Penn said,
And most certainly, as men grow in grace, and know the anointing of the Word in themselves, the dispensation will be less in words (though in words) and more in life; and preaching will in great measure be turned into praising, and the worship of God, more into walking with, than talking of God: for that is worship indeed, that bows to his will at all times, and in all places: the truest, the highest worship, man is capable of in this world.(Primitive Christianity Revived, chapter 10, section 6; italics in original)
It was no accident that Penn built a Quaker colony, Pennsylvania, which became a beacon of religious tolerance to the world. No accident, either, that the Quakers were at the forefront of the anti-slavery movement on both sides of the Atlantic. Of course good works do not replace worship, any more than worship replaces good works; they are interdependent. A life fully devoted to serving God should lead to devoted worship as well, and worship in spirit and truth should cause us to serve God in our daily lives with the same spirit and truth.

Whittier also calls us to find, "in deeper reverence, praise." This seems to be the perennial problem of worship; if there is sufficient reverence in the first place, then the actions and intentions will usually follow God's wishes as well. Hebrews 12:28 instructs us, "Let us offer to God acceptable worship, with reverence and awe." If Cain had possessed enough reverence and awe, would he have offered an unacceptable sacrifice to God?(Hebrews 11:4) If Nadab and Abihu had possessed enough reverence and awe, would they have used "unauthorized fire" in the temple?(Leviticus 10:1) If the church at Corinth had possessed enough reverence and awe, would they have corrupted the Lord's Supper?(1 Corinthians 11) Let us first understand Whom it is we worship, and we will know to listen to His wishes, and to fulfill them with the sincerest efforts of our hearts.

Stanza 2:
In simple trust like theirs who heard
Beside the Syrian sea
The gracious calling of the Lord,
Let us, like them, without a word,
Rise up and follow Thee.

This stanza comments on the remarkable incidents of the calling of the apostles. Whittier is likely referring to Matthew 4:18-22, in which Jesus formally called Peter and Andrew, and then James and John. In each case the apostles are said to have followed Jesus "immediately," leaving their fishing business on the spot. In other passages we find that there was some interaction between these individuals beforehand; John 1:40-42 tells us that Andrew had heard Jesus teaching and went to get Peter, whom he introduced to the Lord at that time. Luke 5:1-11 gives us a more detailed account of the call of the four fishermen, including the miraculous catch of fish. In this account we find that Peter, as we would expect, did not follow Jesus "without a word"--his response to Jesus was, "Depart from me, for I am a sinful man, O Lord."(Luke 5:8)

But his attitude of heart was one of quiet submission, and when Jesus calmed his fears, Peter rose up and followed. Jesus knew he was a sinful man when He called him; all of the apostles, of course, were sinful men. The important thing was, Peter knew he was a sinful man, and thus in an appropriate humility he listened to his Lord and obeyed. We have a similar example in the young Samuel, who at the advice of Eli responded to the Lord's nighttime call, "Speak, Lord, for your servant hears."(1 Samuel 3:10) Little Samuel heard an earful that night, and it must have been a heavy burden to bear; but he served the Lord faithfully through a difficult era in Israel's history. He set the first example of the priest and prophet standing up against the king,(1 Samuel 15) because he listened to God rather than to men.

There is a timeworn proverb that my children know by heart: "You have two eyes, two ears, and only one mouth--and there's a reason for that." We need to listen to God's word, and to watch carefully for the opportunities He sends us to do good. We are not called to such a high station as the apostles, but we are called to some station, and whatever work the Lord gives us is important because it is serving Him. As an old boss of mine used to say (I suppose all bosses say this), "We need a lot less talking and a lot more doing."

Another great example of this attitude is found in Andrew, one of the most under-recognized of the apostles. Before the feeding of the five thousand, Jesus questioned His disciples about how they would feed the multitude--testing their faith.(John 6:6) Philip probably represented the majority when he spoke up and declared the task impossible; but Andrew turned up with the boy who had the five barley loaves and two fish. Andrew's faith was imperfect--he still asked, "What are these for so many?"(v. 9) But while others were standing around complaining, Andrew was looking about for a way to solve the problem. He did not question the Lord's directions, but simply did the best he could to obey and left the rest to Jesus.

Stanza 3:
O Sabbath rest by Galilee!
O calm of hills above,
Where Jesus knelt to share with Thee
The silence of eternity
Interpreted by love!

In Whittier's original poem there is another stanza here, which is included in some hymnals. It continues the theme of the preceding stanza:

With that deep hush subduing all
Our words and works that drown
The tender whisper of Thy call,
As noiseless let Thy blessing fall
As fell Thy manna down.

I have known people, and you probably do too, who cannot abide silence and solitude. They must have some kind of activity, and some kind of noise, or they are uncomfortable. I understand why people may turn on the radio or television when they are home alone, when the house seems "too quiet." And there are certain kinds of work that are very much aided by the mental diversion of listening to music, or news, or sports. (I will always associate the days of writing my dissertation with the 1996 baseball season and the Texas Rangers.) But modern society has come to expect a constant background of distracting sights, sounds, and interactions, and I am afraid I know why. When we are alone and all is quiet, we can hear ourselves think.

When we take the time to think, we often become aware of things that we would rather avoid. We may begin to wonder about where our lives have taken us. We may begin to think about our relationships with other people. We may even contemplate our own mortality. We might call into question our entire course of life if we are not careful! These questions make us uncomfortable, but Christians know that this is exactly the kind of introspection that Scripture urges upon us for our own good. And for Christians, no matter how uncomfortable such self-examination may make us, there is the reassurance that we do in fact have answers to the questions and solutions to the problems that solitude forces us to face.

Psalm 46:10 adjures us, "Be still, and know that I am God." If we take the time to stop and think about who God is, to really try to comprehend (however imperfectly) what He has told us of himself, it sets us on a right footing for everything else. It is difficult to focus our minds, but choosing the time and place helps. An early morning walk before sunrise is a good opportunity to observe God's creation without as many distractions of the man-made world. We might look at the moon and the stars, and think of their immense age and distance from us. We might listen to the wind or watch the clouds go by, both of which go unnoticed during our busy workdays but are always there, moving about this planet in systems of such complexity that we can never quite predict what they will do next. The great Levite singer Asaph said in Psalm 77:12, "I will ponder all Your work, and meditate on Your mighty deeds." But these things are "His works, and not Himself," as Augustine so eloquently put it.(Confessions, 3.6.10) Our sun annihilates a little more than 4.5 million tons of matter every second to produce the heat and light that keep us alive, through processes that are still not completely understood; but our God is the one who created that body.

Quiet study and meditation also helps us to remember who our God has proven himself to be in His dealings with His people. In Psalm 143:5, David said, "I remember the days of old; I meditate on all that You have done." When we remember God's faithfulness and providence, we can put a better perspective on our problems. The author of the great 119th Psalm states in verse 23 that, "Even though princes sit plotting against me, Your servant will meditate on Your statutes." Quiet introspection in the light of God's word will also keep us on the right path. God instructed Joshua, at the beginning of that worthy man's leadership over Israel, "This Book of the Law shall not depart from your mouth, but you shall meditate on it day and night, so that you may be careful to do according to all that is written in it."(Joshua 1:8)

The third stanza of Whittier's poem recalls the devotional life of Jesus, who spent frequent periods in the sole company of His Father.(Mark 1:35-38, Luke 6:12) In Matthew 26:36-46 we find Jesus praying fervently in Gethsemane, and receiving the comfort of ministering angels. It is sadly ironic that Judas chose this place to betray Jesus into the hands of His enemies--because Judas knew Jesus often went there for this purpose.(John 18:2) Even Jesus found it needful to seek quiet and solitude to commune with His Father; how much more do we?

Looking again at Whittier's primary context, I wonder if many of us have become afraid of silence in worship. If we worshipers become bored during a few minutes (or seconds?) of silence, I wonder what that says about the desire to focus on God. But I have seen many worship services among other religious groups in which the organ or piano is playing almost constantly, as though they cannot afford to leave people unattended in their own thoughts.

Among the Churches of Christ I have occasionally encountered the practice of singing during the Lord's Supper. I am not saying this is wrong, or that it could not be done in a good way; but the silence we have traditionally observed during this time is precious to me. When I was a child it made me realize the deep solemnity and importance of this Part of worship. Now that I am a Christian it is an aid in my private self-examination before partaking.(1 Corinthians 11:28)

Stanza 4:
Drop Thy still dews of quietness,
Till all our strivings cease;
Take from our souls the strain and stress,
And let our ordered lives confess
The beauty of Thy peace.

Whittier's "Brewing of Soma" has one more stanza in conclusion, which is used in many hymnals (the selection and ordering of the stanzas varies greatly from editor to editor):

Breathe through the heats of our desire
Thy coolness and Thy balm;
Let sense be dumb, let flesh retire;
Speak through the earthquake, wind, and fire,
O still, small voice of calm!

Sometimes our lack of quiet and solitude is not from choice, but from the necessity pressed upon us in a hectic, fast-paced world. A humorous example of this that I have heard from my parents concerned one of our elders from the Church of Christ in my home town in Oklahoma. It had been a tremendously busy day for him with many interruptions, but finally our families were able to sit down together to eat. As we were in this elder's home, we waited until he finally got away from the telephone and came to the table to offer thanks for our food. He sat down, bowed his head, and said, "Hello?" as though he were answering the phone again! The good man was simply frazzled by a demanding day.

"God is not a God of confusion, but of peace."(1 Corinthians 14:33) Yet how hard it is to clear away the confusion that results from the distractions of life! But if we cannot find time to be alone with God, we need to make some changes. Certainly we can examine our lives and look for those things that we can simplify, or even delete, in order to have time for something so important. Often it is just a matter of determining to take the time. David found this place, in spite of his stressful and demanding life (see 1st and 2nd Samuel), as seen in this little gem of a Psalm:
O LORD, my heart is not lifted up;
My eyes are not raised too high;
I do not occupy myself with things too great and too marvelous for me.

But I have calmed and quieted my soul,
Like a weaned child with its mother;
Like a weaned child is my soul within me.

O Israel, hope in the LORD from this time forth and forevermore.

(Psalm 131)
Sometimes, however, our best efforts at finding quiet and solitude are thwarted by circumstances beyond our control. (I wonder, however, if there is not a more diabolical agency behind this!) When we are gripped by stress and cannot seem to find peace, we can take comfort in the fact that the same Lord whose help we seek is the one who once told a stormy sea, "Peace, be still!"(Mark 4:39) Søren Kierkegaard related this idea in his poem, "For Inward Peace." The composer Michael Rickelton, a former student of mine (who obviously overcame that handicap), created a beautiful choral setting of this text that has been performed widely.
Calm the waves of this heart, O God; calm its tempests.
Calm yourself, O my soul, so that God is able to rest in you, so that God’s peace may cover you.
Yes, You give us peace, O God, peace that the whole world can never take away.
The apostle Paul noted in Philippians 4:11 that, "I have learned in whatever situation I am to be content." Paul had more reason than most of us to be stressed (see 2 Corinthians 11), but he had found that "peace of God that passes understanding."(Philippians 4:7) Paul, though in prison and under threat of death, through his "ordered life confessed" this peace to all the world and for all time. God help us to calm our spirits and find that inner peace, both for our own sakes, and for the sake of an out-of-control society that is desperate for such relief.

There is an element of this hymn found in two of the stanzas unused in Praise for the Lord, that reflects the Quaker view of "inner light" or direct personal revelation from the Holy Spirit. The "still small voice of calm" in the final stanza of Whittier's poem, and an earlier stanza's phrase "tender whisper of Thy call" are the real point of the silence in Quaker worship. But though I do not share Whittier's view of a continuous, personalized revelation, we certainly need to listen so attentively to the Spirit's words that are unmistakably revealed to us in Scripture. We need to train our attention on the Spirit's providential work in our lives, both to strengthen us and to use us as His instruments of good. The "still, small voice" was what told Elijah to get up from his discouragement and self-pity and return to his ministry with a new perspective.(1 Kings 19) Let us take the time, or make the time, to be quiet in our thoughts and listen to our Father. And let us then say with our Savior, "Not my will, but Yours, be done."(Luke 22:42)

About the music:

Frederick Charles Maker (1844-1927) was born, lived, and died in Bristol. He was a professor of music at Clifton College, and was engaged as organist by a series of  congregations of the Free Congregational fellowship.(Cyberhymnal) A search of Worldcat.org reveals that he published anthems, hymns, and sacred cantatas, as well as numerous secular works for piano, music theory texts, and vocal exercises. He even wrote an operetta on the story of Goldilocks and the three bears (1912).

His list of tunes represented in the Hymnary.org database (most of them with page scans or PDFs) shows that two of his works far outstripped the others in popularity--REST (also sometimes called ELTON), the tune under consideration here, and MAKER, the common tune for "Beneath the cross of Jesus." Both of these have the distinction of having become firmly associated with their respective texts; in the U.S. it is rare to find Whittier's hymn set to any other tune, though I understand that REPTON, based on a melody by Sir Hubert Parry, is often used in Great Britain and the Commonwealth nations. Frederick Maker originally composed REST for the Congregational Hymnal (London, 1887) edited by George S. Barrett.(Hymnal 1940 Companion, 271)

Maker's style in this hymn setting is squarely within Victorian Romanticism, full of chromatic turns of melody and richly chromatic harmonies underneath. Coincidentally, both REST and MAKER begin with a similar chromatic neighboring tone--REST with MI-MI-MI-RI-MI ("Dear Lord and Fa-ther"), and MAKER with SOL-SOL-SOL-FI-LA-SOL-MI ("Be-neath the cross of Je-sus"). What distinguishes Frederick Maker's use of this style is that he does it so well--though it was a somewhat cliched style even at the time, his broad education in music probably gave him a perspective that helped him not be caught up in chromaticism for chromaticism's sake. He is dramatic without being syrupy.

A particularly effective touch is the chromatic descent in the melody through the end of the first phrase into the beginning of the second. Here the tune falls by half-step on each successive note of the words "man-kind, For-give." The raised chromatic note on "-kind" is the leading tone to the dominant, which is the goal of the cadence at the end of the second phrase; but the following note on "For-" unexpectedly moves down instead of up, deflating the sense of striving toward the dominant. There is a very clever echo of this idea at the end of the tune as well--on the words, "deep-er rev'-rence, praise," the tenor follows a similar descending half-step pattern, one of the most memorable moments in the music.

The middle part of the hymn tune, the third and fourth phrases, is built around a modified melodic and harmonic sequence. The third phrase, MI-MI-FA-SOL-DO-DO-TI-LA ("Take from our souls the strain and stress") is echoed by the fourth, (LA-LA-SOL-FA-FI-SOL-FA-MI ("And let our ordered lives confess"), at least in the closing descending notes, but the opening three notes are inverted (LA-SOL-FA descending instead of MI-FA-SOL ascending). The bass line emphasizes these opening three notes each time, following them in parallel 3rds an octave below; this makes the bass line a melodic sequence in itself, and to some extent makes the harmonic progressions of the two phrases sequential as well.

But to have all these wonderful flowing lines in the melody, tenor, and bass, someone has to pay the price--and thus was born one of the most boring alto lines ever written. The alto cycles endlessly through the notes DO, TI, and RE, with one solitary DI (DO-sharp). Hopefully the cleverness of the harmonies shifting around this fixed point is compensation enough for such mistreatment!


 References:

Cluff, Randall. "Whittier, John Greenleaf." American National Biography. New York: Oxford University Press, 1999, volume 23, 320-322.

Julian, John. A Dictionary of Hymnology. New York: Scribner, 1892.
http://books.google.com/books?id=AC1RAAAAYAAJ

Whittier, John Greenleaf. "The Brewing of Soma." The Atlantic Monthly volume 29, issue 174, pages 473-475. Hosted at Cornell University, Making of Americahttp://digital.library.cornell.edu/cgi/t/text/pageviewer-idx?c=atla&cc=atla&idno=atla0029-4&node=atla0029-4%3A10&view=pdf&seq=479&size=50

Mahony, William K. "Soma." Encyclopedia of Religion. New York: MacMillan, 1995, volume 13, pages 414-415.

"Friends' Worship." Conservative Friend. Stillwater Monthly Meeting of Ohio Yearly Meeting of Friends. http://www.conservativefriend.org/friendsworship.htm

Herman, Susan. "The Brewing of Soma." John Greenleaf Whittier: Essex County's Famous Son. Danvers, Massachusetts: North Shore Community College.
http://myweb.northshore.edu/users/sherman/whittier/quaker/brewingofsoma.html

Penn, William. Primitive Christianity Revived. 1696. Online edition from an 1857 reprint by Street Corner Society. http://www.strecorsoc.org/penn/pcr_10.html

Augustine. Confessions, translated by Albert C. Outler. Wikisource.org. http://en.wikisource.org/wiki/The_Confessions_of_Saint_Augustine_(Outler)

"Frederick Charles Maker." Cyberhymnal. http://www.hymntime.com/tch/bio/m/a/k/maker_fc.htm

The Hymnal 1940 Companion. New York: Church Pension Fund, 1949. http://hdl.handle.net/2027/uc1.b3658273

Friday, October 5, 2012

Do All in the Name of the Lord

Praise for the Lord #121

Words: Austin Taylor, 1916
Music: Austin Taylor, 1916

Austin Taylor (1881-1973) was one of the most important hymnal editors, songwriters, and music teachers among the Churches of Christ in the U.S. during the 20th century. Born in central Kentucky, he came to Sherman, Texas as a child and began leading singing schools and writing gospel songs as a young man. Together with G.H.P. Showalter, he was the longest-running editor of the hymnals published by Firm Foundation in Austin, Texas. He also co-founded the Texas Normal Singing School, the oldest such institution still in existence among the Churches of Christ.

This song first appeared in New Songs of Praise (Austin, Texas: Firm Foundation, 1916), one of the earliest songbooks co-edited by Taylor and Showalter.(Copyright Entries, 1211) A search of Hymnary.org shows that "Do all in the name of the Lord" became a standard not only in the Firm Foundation hymnals, but also in those of the Quartet Music Company in Fort Worth, Texas, as well as the songbooks edited by Marion Davis, an editor and songwriter from Fayette, Alabama. Though it has probably always been a little more popular in its native Texas, the song has become well-known among the Churches of Christ in this country generally. It is an excellent example of a "teaching and admonishing" song,(Colossians 3:16) and one of the few we have on this particular subject.

Stanza 1:
Whate'er you do in word or deed,
Do all in the name of the Lord;
Do naught in name of man or creed,
Do all in the name of the Lord.

Refrain:
Do all in His name,
Do all in the name of the Lord;
In word or deed, as God decreed,
Do all in the name of the Lord.

The fundamental idea of the song, of course, is Colossians 3:17--"And whatever you do, in word or deed, do everything in the name of the Lord Jesus, giving thanks to God the Father through Him." The key question about this verse is, what does "in the name of the Lord Jesus" mean? The original Greek phrase translated "in the name" is ἐν ὀνόματι (en onomati), and occurs in the following passages. I have tried to group these together by the sense in which they seem to be used, which hopefully will illuminate the manner in which this phrase is employed in the New Testament.
  • "Blessed is He that comes in the name of the Lord."(Matthew 21:9, cf. 23:39)
  • "I am come in My Father's name [ἐν τῷ ὀνόματι τοῦ πατρός μου (en to onomati tou patros mou)], and you receive Me not; if another shall come in his own name [ἐν τῷ ὀνόματι τῷ ἰδίῳ (en to onomati to idio)], you will receive him."(John 5:43, cf. 10:25)
  • "But the Comforter, the Holy Spirit, whom the Father shall send in My name [ἐν τῷ ὀνόματι μου (en to onomati mou)] . . ."(John 14:26)
  • "[Paul] preached boldly at Damascus in the name of Jesus."(Acts 9:27, cf. v. 29)
In each of these statements one person is representing another, speaking and acting "in the name of" that person. Jesus came in His Father's name; after Jesus' earthly ministry was complete, the Holy Spirit came in the name of Jesus; and Paul, one of Jesus' specially appointed messengers, preached the Spirit-inspired gospel in the name of Jesus. Paul (like all Christians) was an "ambassador" empowered to speak in the name of another; the power and authority of the greater is invested in a representative, who is responsible to act and speak on that person's behalf.(2 Corinthians 5:20) In this sense, to "do all in the name of the Lord" means we should always remember, in everything we say or do, that we are representatives of Christ's will and message for the world.

But Jesus brought out another side of this responsibility in John 5:43, when He noted the importance of the source of authority, and the loyalty to be shown to that source. When Jesus said He came in His Father's name, He preceded that statement by emphasizing His dependence on His Father's authority: "Truly, truly, I say to you, the Son can do nothing of His own accord, but only what He sees the Father doing. For whatever the Father does, that the Son does likewise."(John 5:19) Jesus spoke and acted "in the name of the Lord" by doing what was within His Father's will. This was the proof of the authority of His words: "For the works that the Father has given Me to accomplish, the very works that I am doing, bear witness about Me that the Father has sent Me."(John 5:36) "Do all in the name of the Lord" means to represent the Lord to the world, but only in words and deeds that are in submission to His will.
  • "In His name [ἐν τῷ ὀνόματι αὐτοῦ (en to onomati autou)] shall all the Gentiles trust."(Matthew 12:21)
  • "That believing you might have life in His name [ἐν τῷ ὀνόματι αὐτοῦ (en to onomati autou)]."(John 20:31)
  • "Holy Father, keep through Your name [ἐν τῷ ὀνόματί σου (en to onomati sou)] those whom You have given Me"(John 17:11, cf. v. 12)
  • "You are justified in the name of the Lord Jesus"(1 Corinthians 6:11)
  • "And he commanded them to be baptized in the name of the Lord."(Acts 10:48)
In these passages we see that "in the name of the Lord" we find hope, life, salvation, justification, and security. The "name" represents the power and authority of the Lord as a source of protection. If we "do all in the name of the Lord," we are speaking and acting in ways that are in subjection to, in harmony with, and thus empowered by, the will of our God.
  • "In My name [ἐν τῷ ὀνόματι μου (en to onomati mou)] they shall cast out demons, etc."(Mark 16:7)
  • "Even the demons are subject to us through Your name [ἐν τῷ ὀνόματί σου (en to onomati sou)]"(Luke 10:17)
  • "In the name of Jesus Christ, rise up and walk."(Acts 3:6)
  • "By what power, or by what name [ἐν ποίῳ ὀνόματι (en poio onomati)], did you do this?"(Acts 4:7)
  • "By the name of Jesus . . . this man stands here before you whole."(Acts 4:10)
  • "Anointing him with oil in the name of the Lord."(James 5:14)
Here we see the source of the miraculous manifestations of power and authority in the early church. The exchange in Acts 4, in particular, shows the apostles' concern to attribute their works of power to the true source. For them, "doing all in the name of the Lord" meant recognizing that it was in Christ, and not in themselves, that this power resided. When it came to miracles, if it was not done "in the name of the Lord," it was not done at all.
  • "Whatever you shall ask in My name [ἐν τῷ ὀνόματι μου (en to onomati mou)], that will I do"(John 14:13, cf. 14:14, 15:16, 16:23-26)
  • "Giving thanks . . . in the name of our Lord Jesus Christ"(Ephesians 5:20)
These two passages speak of praying "in the name of" Jesus. We understand this first, of course, as praying through Jesus to the Father: Jesus is our "Advocate with the Father,"(1 John 2:1) "in whom we have boldness and access with confidence through faith in Him."(Ephesians 3:12) Yet we understand that "ask in My name" is not a magical key to getting whatever we want, else I would have received that model airplane I specifically prayed for when I was about 10 years old. James 4:3 clarifies the situation: "You ask and do not receive, because you ask wrongly, to spend it on your passions." Asking in the name of Jesus also means to ask for that which is within the bounds of His authority and will for us, and to ask from a position of submission to that authority in the first place.
  • "Now we command you brethren, in the name of our Lord Jesus Christ, that you withdraw yourselves from every brother that walks disorderly"(2 Thessalonians 3:6)
  • "In the name of the Lord Jesus Christ, when you are gathered together . . . deliver such a one to Satan"(1 Corinthinas 5:4-5)
Paul gave these instructions to two different congregations, both of which were facing the most sobering and difficult task any group of Christians can encounter--separating another Christian from fellowship. In both cases the apostle solemnly invokes "the name of our Lord Jesus Christ," reminding them of the absolute necessity of obeying His will in the matter, but also of the awful responsibility they shoulder by acting in His name. To "do all in the name of the Lord" in this case would mean to carefully and conscientiously carry out His will, doing the right thing, in the right way, for the right reason.
  • "Whoever shall give you a cup of water to drink in My name [ἐν τῷ ὀνόματι μου (en to onomati mou)]"(Mark 9:41) 
  • "If you be reproached for the name of Christ . . ."(1 Peter 4:14)
  • "That at the name of Jesus every knee should bow . . ."(Philippians 2:10)
These passages remind us again that to "do all in the name of the Lord" is to represent Him to those outside His body in a way that is in accordance with the power and authority of His name. We are representing Him in some fashion, for good or bad, every day; therefore we should strive to make our "words and deeds" those that will bring respect to His name. (Even reproach is a form of respect, depending on the person from whom it comes!) As Philippians 2:10 tells us, every soul will bow someday in the name of Jesus; let us be those who do so now, and encourage others to do so, while there is still time to repent!

We in the Churches of Christ have sometimes been maligned for quoting Colossians 3:17 as a proof-text for the necessity of authority in doctrine and practice. After examining the use of the expression "in the name of the Lord," I agree that it is a mistake to think it means no more than "by the authority of"--but it is a bigger mistake to think it means less than that! "Do all in the name of the Lord" simply cannot mean, "Do whatever you want, and say it is in the name of the Lord." No authority on earth would permit its representative to act in such a fashion, and no authority in heaven has ever done so!

In Acts 4:7, when Peter and John were brought before the high priest and other Jewish religious leaders for their preaching of Jesus, the question was put: "By what power, or by what name [ἐν ποίῳ ὀνόματι (en poio onomati)], did you do this?" This is the same phrase as in Colossians 3:17, except of course for the interrogative, "What?" Here we have the equating of "by the power of" and "by the name of"--the New Living Translation (in a rare occasion of warranted paraphrase) reads, "In whose name did you do this?" It was an echo of the same rulers' question to Jesus in Matthew 21:23, "By what authority [ἐν ποίᾳ ἐξουσίᾳ (en poia exousia)] do you do these things?"

On both these occasions we have to give credit to the high priest, rulers, and scribes--in my opinion, these were the most worthwhile words ever recorded from their lips. As Gamaliel pointed out, they had seen would-be messiahs before.(Acts 5:36-37) Anyone making such claims and doing such works as did Jesus and His followers deserved a careful examination. And notice that in Matthew 21, Jesus did not scoff at the question of seeking a ground of authority in religious matters. Instead He countered his opponents with the question, "The baptism of John, from where did it come? From heaven or from man?"(Matthew 21:25) Jesus' point, of course, was that His accusers were unwilling to face the consequences of the answer; but they were all in agreement that the authority behind a religious teaching or practice mattered!

In view of the majestic power and solemn authority of "the name of the Lord," the mention of "man or creed" in the third line of this stanza rightly pales in comparison. How many churches have been divided--and to be brutally honest, how much blood has been shed--over the words of uninspired men? Yet when we stand before the Judgment, all the confessions and creeds written throughout history will not answer to the Book that will be opened that day.(Revelation 20:12) And when we are called to account for our lives, we will not answer to Martin Luther, or Jean Calvin, or John Wesley, or Joseph Smith, or Mary Ellen White, or any other person. We will instead answer to the One who once said, "Why do you call Me 'Lord, Lord,' and do not do the things which I say?"(Luke 6:46)

Stanza 2:
Be not deceived by worldly greed,
Do all in the name of the Lord;
The Spirit says "In word or deed,"
Do all in the name of the Lord.

(Refrain)

"Doing all in the name of the Lord" will bring us into conflict with this world in many ways. In the second stanza of this song, Taylor introduces one of the most universal of these points of tension--the lure of material things. Sometimes a person is directly tempted to forsake the Lord's way in the pursuit of money. A preacher seeking a bigger paycheck might preach what people want to hear instead of what they need to hear. A business owner might decide to engage in a practice that is technically legal but ethically or morally corrupt. But far more often, I think, we are suckered into materialism through things far less dramatic.

We all need food, clothing, and shelter--God made us that way--and these things cost money. This requires almost all of us to commit a large portion of each day to providing for those needs. We also require rest and a certain amount of recreation to maintain our physical and mental capacities, and a significant portion of each day goes to these (at least to the former) by necessity. But when a day goes by and has been occupied by nothing except caring for the needs of the body (of course I am excepting those whose circumstances give them little choice), we may be caught up in small-time hedonism without realizing it. One need not have extravagant tastes to be enslaved by them.

Jesus warned us against materialism in the Sermon on the Mount, using two memorable passages. The first of these asks us to consider the true nature of material and spiritual things:
Do not lay up for yourselves treasures on earth, where moth and rust destroy and where thieves break in and steal, but lay up for yourselves treasures in heaven, where neither moth nor rust destroys and where thieves do not break in and steal.(Matthew 6:19-20)
The second points us to the problem of priorities, and our need to understand what must come first:
Therefore do not be anxious, saying, "What shall we eat?" or "What shall we drink?" or "What shall we wear?" For the Gentiles seek after all these things, and your heavenly Father knows that you need them all. But seek first the kingdom of God and His righteousness, and all these things will be added to you.(Matthew 6:31-33)
Food, clothing, and shelter are necessary things, but they are meant to be used, and used up. Once a meal is consumed, it is not long before the question arises again, "What are we having to eat?"
(Especially if, like me, you have a teenage son.) Clothing is eventually worn out, discarded, and replaced without much thought. Housing seems more permanent, but anyone who has owned a home knows that the law of entropy is very much in effect there as well.

By contrast, how much time and effort do we spend on things that last eternally? Physical food is important, and few of us would choose to go a day without eating or drinking, but Jesus pointed out that "man shall not live by bread alone, but by every word that proceeds from the mouth of God."(Matthew 4:4, cf. Deuteronomy 8:3) Clothing is important, and few of us would go to work without wearing appropriate clothing for the job, but do we take the same thought about "clothing ourselves with humility?"(1 Peter 5:5) We take care of our best dress clothes and make sure not to soil them, but do we show the same concern not to soil our spiritual garments of holiness?(Revelation 3:4) And though physical shelter is a necessity in this world, and few of us would be homeless by choice, how often do we think of that eternal home Jesus is preparing for us?(John 14:2-3) Are we preparing ourselves for it, so that we will not be homeless in eternity? Doing all in the name of the Lord means that we put His priorities first in our lives.

Stanza 3:
If you are toiling for a crown,
Do all in the name of the Lord;
O do not trust in world renown,
Do all in the name of the Lord.

(Refrain)

Toward the end of his final epistle, the apostle Paul foresaw his imminent death and was able to say:
I have fought the good fight, I have finished the race, I have kept the faith. Henceforth there is laid up for me the crown of righteousness, which the Lord, the Righteous Judge, will award to me on that Day, and not only to me but also to all who have loved His appearing.(2 Timothy 4:7-8)
The crown of which Paul speaks was not a symbol of authority but the laurel wreath, a token of recognition granted to an honored hero in war or in the great athletic contests. The crown would not be given, of course, to a soldier who quit the battlefield early, or to a runner who failed to cross the finish line. It was only for those who finished their course and completed the task. "Doing all in the name of the Lord" means to exercise a discipline over our day-to-day lives, making sure we stay on course to our goal:
Do you not know that in a race all the runners run, but only one receives the prize? So run that you may obtain it. Every athlete exercises self-control in all things. They do it to receive a perishable wreath, but we an imperishable. So I do not run aimlessly; I do not box as one beating the air. But I discipline my body and keep it under control, lest after preaching to others I myself should be disqualified.(1 Corinthians 9:24-27)
It also means staying at our posts in this fight, however long it takes. I have an interesting example of this in my ancestry--a certain Benjamin Hamrick who fought in the American Revolution. He was a Virginia Minuteman, and was in George Washington's army that crossed the Delaware River in the daring Christmas Day attack on Trenton, New Jersey. He served through the difficult winter at Valley Forge, where he used his frontiersman skills as a scout, and was present at other important actions. Unfortunately, according to Army records he also deserted while home on leave in the spring of 1779(not surprisingly, a young lady was involved). Benjamin later claimed in his pension application that he had paid a man to finish out his enlistment, and that may have been true. But in the opinion of the Army, he had not finished his term of service. All of the battles, all of the hardships up until that time did not matter--in official opinion, he had not fulfilled his obligation, and he was denied a pension.

Sadly, this can be the case with Christians who serve faithfully for a time but fall away. Paul regretfully informed Timothy, just after his own anticipation of victory mentioned above, that "Demas, in love with this present world, has deserted me and gone to Thessalonica."(2 Timothy 4:10) This love of the world is poison to the Christian, so much so that we are warned by the apostle John,
Do not love the world or the things in the world. If anyone loves the world, the love of the Father is not in him. For all that is in the world--the desires of the flesh and the desires of the eyes and pride in possessions--is not from the Father but is from the world. And the world is passing away along with its desires, but whoever does the will of God abides forever.(1 John 2:15-17)
"Doing all in the name of the Lord" will put us in opposition at many points to a world that has turned away from Him. Rather than seeking "world renown," which is a passing thing at best, let us be eager to be pleasing in the sight of God, who will reward us with lasting joys.

Stanza 4:
Till toils and labors here are done,
Do all in the name of the Lord;
Dear Christian friends, if you'd be one,
Do all in the name of the Lord.

(Refrain)

In this final stanza Taylor reminds us that "doing all in the name of the Lord" is our only means of Scriptural unity as a body of believers. The language of Colossians 3:17, and in fact of the whole passage, is addressed to an implied plural "you" ("y'all" in the Southern U.S.), not the singular. It is possible to have unity, of course, by strictly following the dictates of men, as we see in some religious bodies with a centralized earthly authority. It is also possible to have a kind of unity by "watering down" our Christianity until there is nothing left about which to disagree. But the kind of unity Scripture describes must be the "unity of the Spirit,"(Ephesians 4:3) because "in one Spirit we were all baptized into one body."(1 Corinthians 12:13) The Spirit dwells within us both individually(1 Corinthians 6:19) and collectively.(1 Corinthians 3:16) If we would allow ourselves all to be led by that one Spirit, we will have the unity described in Ephesians: "One body and one Spirit--just as you were called to the one hope that belongs to your call--one Lord, one faith, one baptism, one God and Father of all, who is over all and through all and in all."(Ephesians 4:4-6)

Naysayers will immediately object that this will just reduce us to arguing and dividing over our interpretations of what the Scriptures teach "in the name of the Lord." But if Christians (in the broadest sense) would even return to the principle of Scripture authority, a vast amount of error would be eliminated right away. And if the concept of "doing all in the name of the Lord" became universally understood--along with its implied corollary, "do not do anything that cannot be done in the name of the Lord"--we would be well on our way to the unity Jesus so much desired in His church.

About the music:

Austin Taylor's music for this hymn is more functional than artistic in design; unlike many of his more ambitious quartet-style songs that I have seen, he seems to have aimed for a simple, workable vehicle for the words. I believe it was the right choice; he had a provocative thought to convey here, and a more complex musical setting might have been a distraction.

One interesting unifying feature in the melody is the arpeggiation of (that is, skipping around in the notes of) the tonic chord in the opening phrase. This signature melodic idea, which occurs again in the 3rd phrase, is almost mirrored in the next-to-last phrase of the refrain:

DO-MI-MI-DO-MI-SOL-SOL-MI and MI-SOL-(LA)-MI-DO-MI-(SOL)-DO
    (1st, 3rd phrases of stanza)                        (3rd phrase of refrain)

Whether that was intentional is debatable. It is the kind of thing a good melody writer does almost by instinct to give a melody internal unity.


 References:

Library of Congress Copyright Office. Catalog of Copyright Entries, 1916, Part 3, Musical Compositions. Washington, D.C.: Government Printing Office, 1916.
http://books.google.com/books?id=ptQiAQAAMAAJ&pg=PA1211#v=onepage&q&f=false

Thursday, September 27, 2012

"The Fruit of Our Lips": A Cappella Praise through the Centuries (Part 3)

In preceding posts in this series we saw that most of the Eastern branches of Christendom retained the a cappella singing of primitive Christianity, and that a cappella singing predominated for many centuries even in the Roman Catholic church. The introduction of instrumental music into Christian worship was controversial from the start; and not surprisingly, it was swiftly rejected again by many of the various groups that emerged in the Reformation. This post looks at the reinstatement of a cappella singing by several of these religious movements, some of which maintain it to this day.

Voices in the Wilderness: The Waldensians

Long before the widespread and lasting breakaway from Roman Catholicism in the Reformation proper, there were several smaller but important movements that attempted to reform Catholic teaching and practice. One of the earliest was the Waldensians (also knowns as Waldenses or Vaudois), originating in southern France and northern Italy during the 12th century. Originally a reform movement within the Roman Catholic church, they eventually rejected the concept of an ongoing authority residing within the present-day church and insisted that Christians should practice only what was taught by Christ and the apostles in Scripture.(Saccho) They suffered terrible persecution at the hands of the Inquisition for this stand.

Among the peculiarities of this group was the practice of a cappella congregational singing.(Blair, 107) Over the centuries many of the Waldensians merged with the Reformed and Presbyterian churches, and some have adopted instrumental music as a part of that association. But as late as the 19th century, Adam Blair could still assert concerning the Waldenses in their ancestral homeland, "no organ is used in the valleys, except in La Torre."(Blair, 550) The video below is the Waldensian Church Choir of Milan, but I am not sure if the song is from the Waldensian tradition; parts of it sound fairly modern, or perhaps like choral music from the Orthodox traditions of Eastern Europe.


Wycliffe and the Lollards: Standing on Scripture

John Wycliffe (c. 1330-1384) was an Oxford professor whose evolving beliefs eventually led him to reject the authority of church tradition in favor of sole dependence on the Scriptures. He is best remembered today, of course, for his determination to bring about the first complete translation of the Scriptures into English. His followers were called "Lollards," a term of uncertain origin but definitely pejorative meaning. Unlike the Waldenses, however, the Lollards were for a time protected from persecution by powerful supporters such as John of Gaunt (Duke of Lancaster and father of Henry IV). Though the changing tides of politics brought about harsh suppression later, they paved the way for the Reformation in the British Isles.

Wycliffe's disdain for the state of church music was such that he seemed to reject any role for it in the worship of the church at all, or at the least favored a return to the (a cappella) practice of early Gregorian chant. I have not found a passage in which he directly addressed instruments, but in Of the Feigned Contemplative Life (c. 1380) he scathingly criticized the use of professional choirs, secular musical styles, and even polyphony (singing in parts).(Wegman, 21) He could hardly have approved of the organ! He also denounced the use of Old Testament examples as authority for worship practices in the New Testament church:
If these [musicians] excuse themselves because of the song in the Old Law, then you must say to them that Christ, who best kept the Old Law as it should be forever after, did not teach or charge us, or any of his apostles, to sing such carnal song, but rather to maintain devotion in the heart, and a holy life, and true preaching--and that is enough and best. So who could charge us to go beyond the freedom and lightness of Christ's Law?(quoted in Wegman, 22)
And if Wycliffe himself did not address instrumental music in worship directly, the Lollard position was certainly clear in the 1407 Examination of William Thorpe before Archbishop Arundel. Though its authorship is disputed today, it is certainly a thorough account of Lollard thought at the time:
And the archbishop said . . . "David, in his last psalm, teacheth men to have divers instruments of music to praise God therewith." 
I said, "Sir, by the sentence of divers doctors expounding the psalms of David, that music and minstrelsy which David and other saints of the old law spake of, ought now neither to be taken nor used by the letter, but these instruments with their music ought to be interpreted spiritually . . ."   
And the archbishop said to me, "Lewd losel ["worthless person"-DRH], is it not lawful for us to have organs in the church to worship therewithal God?" 
And I said, "Yea, sir, by man's ordinance; but by the ordinance of God, a good sermon, to the people's understanding, were much more pleasant to God."(Writings and Examinations, 77)
In taking this strong stand, however, the Lollards seem to have reacted so vehemently against a contemporary error that they failed to cultivate the Scriptural practice it had displaced. There was no new tradition of English Lollard music, except for hints of the use of a cappella Psalm-singing. It laid the ground-work, however, for the English a cappella Psalmody of the 16th century.

The Hussite Reformation and Revival of Congregational Song

Another reformer of the period before Luther and Calvin was the Czech churchman and philosopher Jan Hus (c. 1369-1415). Like Wycliffe, Hus was connected with a leading university and a powerful political patron, in this case the University of Prague and King Wenceslas (no, not that one). But in this case, the Roman Catholic leadership, increasingly alarmed at the spread of "Wycliffism," responded much more quickly and forcefully. Hus was convicted of heresy and burned at the stake in 1415.(Britannica) Following Hus's death there was a brutal period of warfare as political and religious leaders on all sides fought for power, and many of the Hussites fled to other lands. The best known descendant of this diaspora is the present-day Moravian Church, which flourished especially in England and in the American colonies. Interestingly, a separate but related group, the Unity of the Brethren, was established during the 19th century in central Texas, where their distinctive Czech heritage is still strongly felt.

The Hussites were especially noted for their emphasis on congregational song in the language of the people, and in 1501 published the earliest known Protestant hymnal (unfortunately lost). The Moravian Archives in Bethlehem, Pennsylvania has digitized several pages from a 1576 edition of this hymnal series. The Hussite tradition would be a direct influence on the development of the Lutheran chorales; in fact, a good many of the chorales in the works of J. S. Bach have Hussite roots. For texts the Hussite Brethren used translations of the Psalms and of some of the Latin liturgy, but also wrote many original lyrics reflecting their beliefs and experiences.(Atwood, 27; 217) They sang the hymns in formal worship, but also in home devotionals and in everday life.(Atwood, 304) The preface of the 1886 Moravian Hymnal extols this quality:
The hymns of the Brethren were a power in the Church and the land. They gave life to public worship; they were familiarly sung in the homes of nobles and of peasants; they set for the pure Gospel in strains that captivated thousands of hearts . . . (Liturgy and Hymns, iii)
In one of the great providential coincidences of history, in 1735 a group of Moravian settlers bound for America booked passage on a ship that also carried John and Charles Wesley, who were heading to the mission field in the Georgia colony. The Moravians welcomed the Wesleys to worship with them, and the brothers were deeply impressed with their heartfelt singing. From that time on the Wesleys were active promoters of congregational song.

In the beginning the followers of Hus, trying as they were to restore music to its Scriptural place in worship, sang a cappella as a group under the leadership of a precentor.(De Schweinitz, 405, note 18) Instruments in worship were not formally allowed until the Synod of 1594,(De Schweinitz, 434) and the Moravian leader John Comenius (1592-1670) was still having to argue the point in the 17th century.(Atwood, 394) Ironically, when the Moravians settled in America in the 18th century, they established the most sophisticated instrumental music tradition (both sacred and secular) in the English colonies!

The hymn in the video below is Ktož jsú boží bojovníci (Ye who are warriors of God), a battle hymn sung by the Hussites during the religious wars of the early 15th century. It seems unfair to represent their hymn tradition with this song, given that most of the groups descended from that movement are now well known as pacifists; but it was an important hymn of its time and is the only good example I can find of the early Hussite music.


Luther and Instrumental Music in Worship

What exactly was Martin Luther's belief about the use of instruments in worship? There is a well-known quote attributed to Luther, to the effect that the organ is an "ensign of Baal." But did Luther really say that? It is so stated in the McClintock & Strong Cyclopedia(VI, 762), without a source; but Girardeau in his Instrumental Music in the Public Worship of the Church (Richmond, Virginia: Whittet & Shepperson, 1888) notes that it is referenced by the 17th-century theologian Heinrich Eckhard. (Thanks to "HistoryGuy" for his comment on this in the One in Jesus blog for pointing me in the right direction.)

Heinrich Eckhard (1580-1624) in his Fasciculus controversiarum theologicarum (Leipzig: Henning Grosse, 1607) states that "Lutherus organa Musica inter Baalis insignia refert."(Eckhard, 639) The term "organa Musica" is not the organ specifically, but "instruments of music" in general. A literal translation of this might be, "Luther places the instruments of music among the ensigns of Baal." This is obviously not a direct quote, and the situation is further complicated in that Eckhard is not himself the original source of the statement.


Eckhard's format is very structured: he sets out an argument, raises his opponents' objections, and answers each objection. Right above this statement regarding Luther, Eckhard carefully states, "Obj. II [Objection no. 2-DRH]. Anhaldini p. 74." This statement about Luther's position is cited from page 74 of a work identified only by "Anhaldini." (See Objection I. on the preceding page, where Eckhard quotes from Theodore Beza, citing his source in the same format.) Eckhard does not list this work, however, in his bibliography at the beginning of the treatise.

My best guess is that "Anhaldini" refers to some work by one of the princes of Anhalt--perhaps George III (1507-1553), who was an associate of Luther and was later ordained a bishop.(Wikipedia) It is worth noting that Eckhard was defending the use of instruments in worship, and is therefore a "hostile witness" to the opinion attributed to Luther, but does not seem to question its authenticity.

So far, unfortunately, I have not nailed down Eckhard's reference. But there is a similar statement in Luther's commentary on Joel 2:15-16. (N.B. This is my own translation from the Erlangen Edition (Exegetica opera latina), which is based on the 1547 Nuremberg publication of Luther's Joel commentary, not the Altenburg version used in the Concordia/Fortress Press edition of Luther's works in English).
Blow the trumpet in Zion; consecrate a fast; call a solemn assembly; gather the people. Consecrate the congregation; assemble the elders; gather the children, even nursing infants. Let the bridegroom leave his room, and the bride her chamber.
Luther then remarks,
Why, therefore, you ask, have you dispensed with the papal ceremonies? For the ensigns of pomp [insignes pompae], with the musical instruments, and festal songs, and whatever was of this kind, was not this whole institution in order to invite the common people to the temple? Why condemn such ceremonies? Indeed, why abolish them? 
I reply: The purposes of the papal ceremonies, and of those which the prophet recounts here, are different. In those of the papacy, in fact, the ministry of teaching completely collapsed. And thus idolatry has prevailed, so that the ministry of the word may no longer be enumerated in the sacred service.(Exegetica opera Latina, v. 25, p. 190)
Here we have a similar phrase--"insignes pompae"--and a reference to idolatry. But reading him carefully, I believe Luther is saying that instrumental music in worship as it had been practiced in Roman Catholicism had become idolatry. The statement recorded by Eckhard could take a similar interpretation: perhaps Luther considered the use of musical instruments, as currently practiced, to have made them into "ensigns of Baal" that detracted from sincere worship. This still left the door open, in his reasoning, for the use of instruments in a lesser role as an aid to worship. In actual practice, Lutheran churches changed the role of instruments in worship, but seldom abandoned them. Luther elsewhere expressed an equivocal opinion on forms of worship, and was willing to tolerate quite a bit of Catholic ceremonialism, though he admitted that "the example of the Ancient Church is also disquieting to me."(Letter to George III of Anhalt, 10 July 1545)

Zwingli and the Anabaptist Tradition

Ulrich Zwingli (1484-1531), the great reformer in Zurich, has long been represented as a radical who eliminated all church music. He did, of course, make the following statement in his Auslegen und Gründe der Schlussreden (1523), commenting on Colossians 3:16,
Here Paul teaches us not howling and mumbling in the temple, but he indicates the true song that is pleasing to God, that we sing the praise and glory of God not with the voice, like the Jewish singers, but with the hearts.(Music, 53)
Not only does his reasoning rule out instrumental accompaniment, he seems to argue himself out of singing altogether! But as usual, history is more complicated. Locher notes that Zwingli (like Luther) was reacting against the abuses of his times:
Zwingli's polemic is concerned exclusively with the medieval Latin chanting and not with the hymns of evangelical congregations or choirs. Zwingli freely allowed vernacular psalm or choral singing. In addition, he even seems to have striven for lively, antiphonal unison recitative.(Locher, 61-62)
Locher cites, as one example of this moderation in Zwingli's position, his comment on Psalm 92: "If the hymn of praise on Sunday is sung clearly and for all to understand, it is good and praiseworthy."(Locher, 61)

Though Zwingli's influence was felt in Calvinist circles as well, the religious bodies most closely associated with his teachings are those in the Anabaptist tradition. (A paradoxical name, since they were not "anti" baptism, but instead restored it to its rightful place as the conscious act of an accountable believer.) The descendants of this movement today include the Amish, Mennonites, Hutterites, Brethren in Christ, the Apostolic Christian Church, the German Brethren, and others. Many of these groups retain the a cappella congregational singing as practiced by their ancestors, or did until relatively recent times.

One of the distinctive features of early Anabaptist hymnody was the composition of hymns commemorating their martyrs. Sad to say, these peace-loving people were often subject to some of the most violent persecution. The video below presents one of these hymns in English translation, attributed to one Leonhart Sommer who died in prison in 1573:


The Old Order Amish are probably the best known of today's Anabaptist groups, at least in the United States, because of their distinctive dress and rejection of modern technology. Most sing in worship from the Ausbund, a German Anabaptist hymnal first published in 1564. The video below is a recording of the "Loblied" or "Praise Song," which is traditionally the second hymn in an Amish worship service. This recording is audio only, out of respect for the Amish aversion to creating images. At the beginning of each line you will hear the leader "lining out" the opening phrase before the congregation begins, a practice common to many older a cappella traditions.

(recording begins with 2nd stanza)

Mennonite groups also sing a cappella (with some modern exceptions), but have been more open to adopting music from the surrounding church music culture. Many Mennonite congregations in the U.S. sing a mainstream gospel style that would be right at home in the Churches of Christ! The video below is from a barn singing in Bucks County, Pennsylvania. The hymn is "In the rifted Rock I'm resting," a lovely song from the late 19th century written by Mary D. James, a Wesleyan songwriter.("James")


In the next post we will look at Jean Calvin's views of church music, and the history of the a cappella practice in the Reformed churches on the Continent.



References:

Saccho, Reinarius. "Of the sects of the modern heretics (1254)."  Medieval Sourcebook. Fordham University. http://www.fordham.edu/halsall/source/waldo2.html

Blair, Adam. History of the Waldenses, 2 vols. Edinburgh: Adam & Charles Black, 1833. http://books.google.com/books?id=EJxUAAAAYAAJ&pg=PA550

"John Wycliffe and the Lollards." The Geoffrey Chaucer Page. Harvard University. http://www.courses.fas.harvard.edu/~chaucer/special/varia/lollards/lollards.html

Wegman, Rob C. The Crisis of Music in Early Modern Europe, 1470-1530. New York: Taylor & Francis, 2005.

Writings and Examinations of Brute, Thorpe, Cobham, Hilton, Pecock, Bilney, and Others; with The Lantern of Light. London: Religious Tract Society, 1831. http://books.google.com/books?id=E8NhAAAAMAAJ&pg=PA241

"Jan Hus." Encyclopedia Britannica Online. http://www.britannica.com/EBchecked/topic/277400/Jan-Hus

Atwood, Craig D. Theology of the Czech Brethren from Hus to Comenius. University Park, Pennsylvania: University of Pennsylvania Press, 2009.

Liturgy and Hymns of the Moravian Church or Unitas Fratrum. New and revised edition. London: Moravian Publication Office, 1908. http://archive.org/stream/liturgyandhymns00unknuoft#page/n5/mode/2up

De Schweinitz, Edmund. The history of the church known as the Unitas Fratrum. 2nd edition. Bethlehem, Pennsylvania: Moravian Publication Concern, 1901. http://books.google.com/books?id=q309AAAAYAAJ

Guin, Jay. "Instrumental Music: Martin Luther and Instrumental Music." http://oneinjesus.info/2011/02/instrumental-music-martin-luther-and-instrumental-music/ (Some of the commenters on this article also provide very useful additional details.)

"Music." McClintock & Strong, Cyclopedia of Biblical, Theological, and Ecclesiastical Literature, 12 volumes. New York: Harper Brothers, 1880-189?, volume VI, pp. 751-763. http://books.google.com/books?id=iYNPAAAAYAAJ&pg=PA751

Girardeau, John L. Instrumental Music in the Public Worship of the Church. Richmond, Virginia: Whittet & Shepperson, 1888. http://books.google.com/books?id=9VwXAAAAYAAJ

"George III, Prince of Anhalt-Dessau." Wikipedia. http://en.wikipedia.org/wiki/George_III,_Prince_of_Anhalt-Dessau

Luther, Martin. Joel (III). Exegetica opera Latina, volume 25. Frankfurt am Main: Evangelical Book Society, 1884. Pp. 128-303. http://books.google.com/books?id=SmUCAAAAYAAJ&pg=PA127#v=onepage&q&f=false

Luther, Martin. Letter to George III, Prince of Anhalt, 10 July 1545. Lutheran Theology Web Site. http://www.angelfire.com/ny4/djw/lutherantheology.lutherceremonies.html

Music, David W. Hymnology: A Collection of Source Readings. Lanham, Maryland: Scarecrow Press, 1996.

Locher, Gottfried Wilhelm. Zwingli's Thought: New Perspectives. Leiden: E. J. Brill, 1981.

"Mary Dagworthy James." Cyberhymnal. http://www.hymntime.com/tch/bio/j/a/m/james_md.htm

Tuesday, September 18, 2012

Day by Day

Praise for the Lord #120

Words: Carolina Sandell Berg, 1865; translated Andrew Skoog, 1921
Music: Oscar Ahnfelt, 1872

The soprano Jenny Lind was known worldwide as the "Swedish Nightingale," but an equal claim could be made for her friend Karolina "Lina" Sandell-Berg (1832-1903), the most prolific gospel songwriter in that language. For a summary of Sandell's life, please see my post on "Children of the Heavenly Father."

This text originated in a poem for the 1866 edition (actually published 1865) of the Korsblomman, a religious calendar that Sandell edited for many years. It was prefaced by the following thoughts in prose, which I have translated the best I can (I would be grateful for any corrections).
When one looks at the future and all the difficulties it could bring, we are tempted sometimes to give up. It is often not so much the idea of any particular difficulty that worries us, but rather the whole mass of trouble, labor, toil, suffering and temptation, which we see rising up around us as ideas.

Then, one says, "How will I get through all these difficulties?" "How came I to be in all these struggles?" "How can I endure all this labor?" We forget the comfort of the lovely promise, "As your days are, so shall thy strength be."

We grieve for tomorrow before tomorrow is come. And yet, the Lord Jesus himself said, "Sufficient for the day is its own trouble." Oh, how foolish the one that would add to the present an additional burden! We will not have more than one day, one hour, one moment at a time to go through; and there is each day a new grace, a new power, and a new help.
The text was set to music by Oskar Ahnfelt, and was first arranged as a hymn in the 10th installment of his Andeliga sånger ("Spiritual Songs") published in 1872. The text is somewhat revised from its original form.("Blott en dag")

Andrew Skoog (1856-1934), the translator of this text, was a native Swede whose family came to the U.S. in 1869. He settled in Minneapolis, where he later served on the city council and edited a Swedish-language newspaper.(Cyberhymnal) He was a minister in the Swedish Mission Covenant Church, an association of free evangelical congregations, and was an important hymn-writer, composer, and hymnal editor. In 1921 he edited the Mission Hymns: For Use in Young People Societies, Sunday Schools and Church Services, published in Chicago by the Swedish Evangelical Mission Covenant Church of America, which contained his translation of "Day by Day" and many other Swedish hymns.(Library of Congress Copyright Office, 538)

Skoog's Mission Hymns reveals the transition faced by many immigrant groups of the era: the younger, American-born generation wanted to sing in English, while the older folks preferred the songs of their native tongue. In this instance a talented translator carried over the songs of their Swedish Evangelical tradition into the language of the new country, and blessed the rest of the English-speaking world with his contributions. After running the Swedish text through a translating program, I was amazed to see how faithfully he represented the progression of ideas and the important key words from the original, while simultaneously making a beautiful English poem!

Stanza 1:
Day by day and with each passing moment,
Strength I find to meet my trials here;
Trusting in my Father's wise bestowment,
I've no cause for worry or for fear.
He whose heart is kind beyond all measure
Gives unto each day what He deems best,
Lovingly, its part of pain and pleasure,
Mingling toil with peace and rest.

What makes me love this hymn is Sandell's honesty about her own spiritual experience. There is nothing here of the saccharine sentimentality so often seen in Victorian poetry, and all too often in the gospel genre yet today. Neither does she exaggerate her troubles in maudlin fashion; in each stanza there is just a touch of sorrow here and there to set the context of her statement of faith and gratitude. Considering the tragedies she had experienced in her young life--the loss of several family members over just a few years, coupled with witnessing the death by drowning of her beloved father--she is remarkably restrained. She had discovered Paul's secret: "I have learned in whatever situation I am to be content."(Philippians 4:11) And by pouring out her thoughts and feelings in hymns, she showed one of the ways that God "works all things together for good."(Romans 8:28) Her words could not bring back her loved ones; but no doubt they helped her, and they have continued to bless untold numbers of people.

The opening line, in the original language, is "Just one day, one moment, at a time." ("Blott en dag, ett ögonblick i sänder.") Jesus taught us this principle in the simple phrase, "Give us this day our daily bread,"(Matthew 6:11) and expanded on the idea in the following passage:
Therefore do not be anxious, saying, "What shall we eat?" or "What shall we drink?" or "What shall we wear?" For the Gentiles seek after all these things, and your heavenly Father knows that you need them all. But seek first the kingdom of God and His righteousness, and all these things will be added to you. Therefore do not be anxious about tomorrow, for tomorrow will be anxious for itself. Sufficient for the day is its own trouble.(Matthew 6:31-34)
The wry humor of that last statement is evident even to the unbeliever; we have enough to deal with today, without regretting yesterday or worrying about tomorrow. In this sense it is akin to the pragmatic statement of Proverbs 27:1, "Do not boast about tomorrow, for you do not know what a day may bring." But there is a deeper principle here, rooted in the role of the Father as the Creator of time and space. "This is the day that the LORD has made,"(Psalm 118:24) and whether it brings us good, bad, or (usually) some of both, we need to accept it with the faith that God's "grace is sufficient."(2 Corinthians 12:9)

In the second half of the stanza Sandell may be referencing Ecclesiastes 7:14--"In the day of prosperity be joyful, and in the day of adversity consider: God has made the one as well as the other, so that man may not find out anything that will be after him." That final statement is not necessarily as bleak as it may sound; it simply observes that since there are both good and bad days in store for all of us, we should not expect either to last forever. As Kipling said so well in his poem, "If": "If you can meet with triumph and disaster / And treat those two imposters just the same . . . " Neither our greatest successes, nor our worst defeats, are as permanent in their effects as we tend to believe at the moment they occur.

But the passage from Ecclesiastes gives us even more to think about, beyond Kipling's worldly wisdom: it is within the will of our God for us to experience some bad days as well as good. Though we often bring a bad day on ourselves (and can certainly make an average day worse!), there are also many trials that are no fault of our own. Job, for example, knew that his suffering was not because of some great sin in his life; in fact he had no idea of the cosmic battle taking place over his soul. But he saw clearly enough to say, "Shall we indeed accept good from God, and shall we not accept adversity?"(Job 2:10, NKJV)

In the face of this day-by-day scenario of ups and downs, Sandell focuses on the fixed point of God's character. No matter how hard the trial, we know that will not change. Perhaps the most beautiful statement of this principle is the Book of Lamentations. (Really the only way to get the full impact of the following passage is to read the enitre book.) In the midst of his litany of sorrows, the weeping prophet makes this proclamation:
But this I call to mind, and therefore I have hope:
The steadfast love of the LORD never ceases;
His mercies never come to an end;
They are new every morning;
Great is Your faithfulness.
"The LORD is my portion," says my soul,
"Therefore I will hope in Him."
The LORD is good to those who wait for Him,
To the soul who seeks Him.
It is good that one should wait quietly for the salvation of the LORD.
(Lamentations 3:21-26)
No matter what the day brings forth, we can hold on securely to the steadfast love of our Lord.

Stanza 2:
Ev'ry day the Lord Himself is near me
With a special mercy for each hour;
All my cares He fain would bear, and cheer me,
He whose name is Counsellor and Pow'r.
The protection of His child and treasure
Is a charge that on Himself He laid;
"As thy days, thy strength shall be in measure,"
This the pledge to me He made.

The nearness of God to His people is a strong theme in the Hebrew Testament. In addition to the tabernacle, where God's presence literally lived among them, the faithful also recognized that the Creator of heaven and earth is "not far from each one of us."(Acts 17:27) Yet nearness to God was contingent on being in a right relationship to Him, as seen frequently in the Psalms:
For behold, those who are far from You shall perish;
You put an end to everyone who is unfaithful to You.
But for me it is good to be near God;
I have made the Lord GOD my refuge,
That I may tell of all Your works.
(Psalm 73:28)

Surely His salvation is near to those who fear Him,
That glory may dwell in our land.
(Psalm 85:9)

The LORD is near to all who call on Him,
To all who call on Him in truth.
(Psalm 145:18)
This relationship depended on purity of life, as exemplified (or not, sometimes) in the priesthood. Everything about them and their service emphasized holiness, both in separateness from worldliness and in dedication to God's service. Coming near the Lord was not to be taken lightly: "Also let the priests who come near to the LORD consecrate themselves, lest the LORD break out against them."(Exodus 19:22)

Maintaining this relationship also meant coming near God on His own stated terms: Psalm 145:18 above emphasizes, in the elaboration of the second phrase, that we must "call on Him in truth." Yet correct outward forms without inward sincerity was no more pleasing to God than impurity in moral character. The Lord was displeased with the mere outward show of worship in Isaiah's day, "because this people draw near with their mouth and honor Me with their lips, while their hearts are far from Me, and their fear of Me is a commandment taught by men."(Isaiah 29:13) It was a ritual without a relationship.

The same issues hold for us today. "But now in Christ Jesus you who once were far off have been brought near by the blood of Christ."(Ephesians 2:13) How do we stay there? James 4:8 tells us simply, "Draw near to God, and He will draw near to you. Cleanse your hands, you sinners, and purify your hearts, you double-minded." Moral purity is just as necessary as ever.  And in Matthew 15:8-9, Jesus shamed the Pharisees of His day by quoting Isaiah 29:13 via the Septuagint translation: "This people honors Me with their lips, but their heart is far from Me; in vain do they worship Me, teaching as doctrines the commandments of men." This is an even more pointed condemnation of those who would leave aside or go beyond God's word.

"Let us then with confidence draw near to the throne of grace, that we may receive mercy and find grace to help in time of need,"(Hebrews 4:16) because "the LORD is near to the brokenhearted and saves the crushed in spirit."(Psalm 34:18) As Sandell's hymn notes, He is our "Counsellor and Power," referencing the familiar words of Isaiah 9:6, "And His name shall be called Wonderful Counsellor, the Mighty God, the Everlasting Father, the Prince of Peace." There are many times in life when we are grateful for any kind of helpful advice, even from one another--but He is the "Wonderful" Counsellor whose advice is always correct and timely. And when we are in trouble, we are grateful for anyone who will stand by us, even those whose strength is just as feeble as our own. But never forget that the Power who called the universe into existence, and will speak its end, is the Power who promises, as He told Joshua, "I will not leave you or forsake you."(Joshua 1:5)

The quotation in the next-to-last line of this stanza is from Deuteronomy chapter 33, where Moses gives his final blessing to the twelve tribes before his death. To the tribe of Asher he says, in part, "as your days, so shall your strength be."(Deuteronomy 33:25) Fanny Crosby, to whom Lina Sandell is often compared, used the same passage in "A Wonderful Savior" when she wrote, "He giveth me strength as my day." The idea stated here, that God will provide us strength in proportion to our need, is a powerful one, and powerfully phrased. It reminds us that "God is faithful, and He will not let you be tempted beyond your ability, but with the temptation He will also provide the way of escape, that you may be able to endure it."(1 Corinthians 10:13) Paul knew this from his own trials, and from his thorn in the flesh. God did not take away the thorn, but assured Paul that "My grace is sufficient for you, for My power is made perfect in weakness."(2 Corinthians 12:9)

That last phrase is puzzling at first, but when we think back through the history of God's people we see many examples of this very thing. God delivered Israel by the hand of Gideon and 300 warriors, far fewer than the number actually available. God used a mere youth (though admittedly a deadly shot with a sling) to defeat Goliath, while an entire army stood by. When God came down to live in human form, He was born as a helpless infant into a working-class home and grew up in a town of little reputation. His followers were of the same class, none with the sort of political, educational, or social advantages that one would expect of men who would change the world. But God's power was shown all the more through these circumstances. If we will put ourselves in His hands, He will carry us through as well and use us to His glory in spite of our shortcomings. Today may be hard, and there may be even harder days ahead, but He will give us the strength we need to get through each day.
 
Stanza 3:
Help me then in ev'ry tribulation
So to trust Thy promises, O Lord,
That I lose not faith's sweet consolation
Offered me within Thy holy Word.
Help me, Lord, when toil and trouble meeting,
E'er to take, as from a father's hand,
One by one, the days, the moments fleeting,
Till I reach the promised land.

The third stanza summarizes the themes explored thus far, and adds this final thought: God creates each day, and we experience one day at a time, so we should accept the day God gives us and trust Him that it will work out to His glory and our blessing. There is more wisdom than we realize wrapped up in the simple statement already referenced above: "This is the day that the LORD has made; let us rejoice and be glad in it."(Psalm 118:24) This day is the day that the Lord has given us to live, not yesterday or tomorrow. We can learn from the mistakes of days past, and we can be comforted and encouraged by fond memories of them, but we cannot go back and live in them. We can make plans for tomorrow (to a reasonable extent), and we can be encouraged by the knowledge that tomorrow can be better, but we cannot live in tomorrow either. Today is the day God has given us.

And God's goodness in the past should reassure us that the days He gives us will ultimately be for our good! In Sandell's language here, "as from a Father's hand," she is likely thinking of her close relationship with her own father, who (contrary to typical parenting of girls at the time!) strongly encouraged her spiritual, intellectual, and literary development. No doubt there were times when he had to deny her wishes or correct her faults; but she revered him overall as an ideal parent. The Hebrews writer reminds us of the role of the ideal earthly father as one who provides both guidance and correction, out of love, then compares this to God:
We have had earthly fathers who disciplined us and we respected them. Shall we not much more be subject to the Father of spirits and live? For they disciplined us for a short time as it seemed best to them, but He disciplines us for our good, that we may share His holiness. For the moment all discipline seems painful rather than pleasant, but later it yields the peaceful fruit of righteousness to those who have been trained by it.(Hebrews 12:9-11)
Few children choose discipline, but it is necessary; no normal person chooses pain and difficulty for its own sake, but it is often necessary to achieve a goal. Our problem in applying this to the large scale--life as a whole--is that we cannot see all that God can see. If we had our choice of days, we would pick all sunny summer afternoons, just as many a child would eat nothing but desserts if given the choice. But a loving parent cannot allow it, even if the child does not see the point; likewise, our loving Father knows things about our destinies that we cannot understand now.

The video below is a simple arrangement for women's voices (soprano-alto-tenor of original) sung by the Antrim Mennonite Choir from Antrim, Ohio (a Beachy Amish congregation).


About the music:

Further information about Oscar Ahnfelt (1813-1882) has been frustratingly scant. He is said to have been a singer with the Swedish Royal Opera before he became an Evangelical preacher, but was certainly better known as a gospel singer both in Sweden and in the U.S. His musical settings were the perfect match to Sandell's poetry, to the extent that these hymns were thought of equally as "Ahnfelt's songs."(Stephenson, 40-41) Sandell herself said that "Ahnfelt has sung my songs into the hearts of the people."(Storckenfeldt, 64) One volume of Ahnfelt's Andeliga sånger is available online, but is a lyrics-only publication. The Cyberhymnal page on Ahnfelt provides several of his tunes in MIDI format.

The melody of this hymn is really quite simple--the first musical phrase (taking up two lines of text) uses only four consecutive notes of the scale, and moves almost entirely by step. The next two lines of text repeat the same melody. The third phrase (beginning the second half of the stanza) starts on the same note (MI) as the preceding phrases, but then soars up to a high DO before falling gently back; this general shape is repeated a step lower, beginning on RE. The final phrase (last two lines of text) is a repeat of the 1st and 2nd phrases. It could hardly be simpler, or more beautiful. Ahnfelt's ear for folk melody was excellent.

The harmony of this arrangement is also fairly simple, yet introduces just enough dissonance to be interesting. There is a particularly charming figure that occurs at the end of each odd-numbered line of text, in the middle of each musical phrase. Since these lines all end on unstressed syllables ("MO-ment," "be-STOW-ment," etc.) Ahnfelt holds the stressed next-to-last syllable on the same pitch as the preceding note, but changes the harmony underneath it anyway. The harmony changes on the beat, so the stressed note feels as though it is held over from the preceding chord; then the following note, on the unstressed syllable at the end of the line, relaxes the tension by falling down a step into harmony with the other voices. The technical term is a 7-6 suspension; the melody is holding a major 7th against the bass, and resolving into a 6th. In each case the tenor doubles the melody's suspension, heightening the effect.

The resulting harmonies are unusual for traditional hymn writing. On the stressed syllable of "MO-ment," for example, the harmony from bass to soprano is A - B - C# - G#. You might hear the soprano and tenor as nonharmonic tones, that is, out of the chord and getting ready to resolve. But there is an equal sense that this is just a complex, extended chord: A - C# - [E] - G# - B, or an A major 9th chord. This distraction has a curious effect on our perception of the following chord, as well--when the bass hits an "A" on the downbeat (in the first chord), we expect a simple shift to an A major chord, the subdominant of this key. But when the melody's suspension (or the major 9th extension) resolves into an F#, we have an F# minor chord in 1st inversion (or an A major chord with an added 6th, depending on how you hear things). The combination of major 7th harmonies and unexpected minor chords gives the music a somewhat wistful feeling that is especially appropriate to the text.


References: "Blott en dag." Lina Sandells Hemsidahttp://www.dagensvisa.com/minata/dav/dav_12_aug.html#borj

"Andrew L. Skoog." Cyberhymnalhttp://www.cyberhymnal.org/bio/s/k/skoog_al.htm

"Andrew L. Skoog." Wikipedia (Swedish). http://sv.wikipedia.org/wiki/Andrew_L._Skoog

Library of Congress Copyright Office. Catalog of Copyright Entries: Musical Compositions, 1921. Washington, D.C.: U.S. Government Printing Office, 1922. http://books.google.com/books?id=qEYcAQAAIAAJ&pg=PA538&lpg=PA538

Stephenson, George M. The Religious Aspects of Swedish Immigration. New York: Arno Press, 1969. http://books.google.com/books?id=Vd4Ghoj0dF0C

Storckenfeldt, Sigrid Magdalena Erika. Lina Berg, född Sandell. Stockholm: Andra Upplagan, 1907.  http://books.google.com/books?id=E9QxAQAAMAAJ